For me, the most useful tools are the Exposure Compensation slier and the Highlight and Shadow protection tools. The saturation slider allows for a much more subtle adjustment of color intensity than what you can do in Picture Control. In order to properly use the Quick Fix section, you should have at least a basic understanding of how to use the image histogram.

Overexposed Underexposed Good Exposure Three examples of image histograms. Left: Right-shifted histogram indicates blown highlights and over-exposure. Center: Left-shifted histogram indicates potential underexposure and clipped shadows.

Despite the fact that exposure adjustments are a very powerful tool and unique to RAW files , you still must be careful. Severely over or underexposed images may Correcting an overexposed image. Clockwise from top left: Original image, lose quality if you have histogram showing severe right-shift; Exposure Compensation slider moved to the to adjust the exposure left-- a value of Note that there are still some lost highlights in the lower left of the image-- strongly.

However, the overall image is quite usable. In this image, the overall exposure is good, but the face still needs lightening with local adjustments. Or Left-shift too dark worse, you might have an image where highlights are pushing the right-hand edge of the histogram, Clipped highlights but the image is a little bit underexposed.

In this example left , not only are there blown highlights, but the overall image is slightly underexposed. The image histogram right confirms this.

The image will turn black, and blown highlights will be in color the color represents the channel that is clipping-- Red, Green or Blue. First, exposure was increased by 0. Then, Highlight Protection was dialed in until the clipped highlights disappeared right. The corrected image below is ready for further processing. Strong amounts of highlight protection can sometimes cause color saturation to decrease.

This effect can be fixed with the Saturation slider in Quick Fix. What this means is that you try to avoid blown highlights at all cost, even at the expense of some lost shadow detail.

This is very useful when you are applying minus negative exposure compensation to an image to recover highlights and then want In this image, the overall exposure looks OK, but the shadows are just a little dark to get the shadow details for my taste. Move the Shadow Peak showing dark tones Protection slider to the right to recover shadow details. I rarely go above Histogram looks OK overall. Adjust the Saturation slider to the right to compensate for the loss of saturation when using the Shadow Protection slider.

Notice how the peaks in the middle of the histogram got taller. The best way to adjust brightness and contrast is by adjusting Levels and Curves. You can make basic levels and curves adjustments in the Quick Fix palette. The positive side of this technique is that the adjustments are made on the RAW data. Principles of Levels Adjustment The Levels control can be used to adjust overall image contrast and brightness.

The Levels controls are three triangles sliders beneath the image histogram in the Quick Fix window. Normally, the black point slider is all the way to the left on the histogram. The tonal value the black point slider rests on gets converted to a tonal value of zero pure black. As tonal values fall to the left of the black point slider they are converted to pure black. White Point Slider: The white point slider is on the right hand side of the histogram. Tonal values that fall to the right of the white point slider are rendered as pure white tonal value of As you move the white point slider to the left, you convert tonal values to white.

You can do this easily with the levels tool by bringing the black point and white point sliders closer together. The middle slider affects the midtones of the image. Slide it to the right to darken midtones, slide it to the left to brighten midtones. Notice how the Curves Control bends when you slide the midpoint slider. Brighter midtones Darker midtones Curves If you want to use the Curves tool, simply click a point on the Curve Control line and drag the point up or down.

Dragging a point on the curve upward lightens its corresponding tonal values, dragging the curve downward darkens the corresponding tone values. If you add multiple points to the curve, the steepness of the line dictates contrast between any two points. Steep lines mean high contrast, flat lines mean low contrast. Use the curves tool with care. Click points on the curve and then drag them to move. The steeper you make the line, the stronger the contrast will be in that part of the tonal range.

Another reason to use the Saturation slider in Quick Fix is because it gives more control than the Picture Controls. By default, the Saturation slider is set at zero unchanged.

When you couple the Quick Fix tools with the Camera Settings, more often than not you can make all the global adjustments you need to your image. Although it contains some useful tools, they rarely come into the equation when processing NEFs. Of those two tools, the Auto Color Aberration tool is enabled by default and I leave it on at all times.

The other tools in this set are for special circumstances and I rarely need to use them. Note: This operation is processor-intensive and will take some time to complete. Refer to your camera manual for instruction on how to create the reference image. Make sure the folder you choose has a NDF file in it. If not, navigate to the folder containing a dust- off reference image and click Open. Note: This feature is processor intensive.

Personally, I just try to keep my sensor clean and use the Auto Retouch Brush in the Edit List to eliminate dust spots. Color aberration, also referred to as chromatic aberration, manifests itself as purple or red fringing around high- contrast areas in your images. This is especially common in the corners of images produced using wide-angle lenses.

One of the nicest features of Capture NX2 is that it automatically removes color-fringing from your NEFs, regardless of the make and model of your lens. The Auto Color Aberration tool is enabled by default; I never turn it off. Other RAW converters offer CA removal, but it is usually a manual process involving two different sliders. I find the NX method to be much simpler. Left: Image processed without Auto CA removal. Right: Image processed with Auto CA removal enabled.

I find this tool to be hit or miss. But here it is, in case you want to try it out. Light fall-off occurs when the image circle from your lens is not uniformly bright across the frame.

Usually this happens when using Corner shading fast lenses wide-open. The Vignette Control slider can reduce the effect of light fall-off; some cameras, like the Nikon D3, have an in-camera vignette control option, which enables this control automatically in Capture Before vignette NX2. Moving the slider to the right positive values brightens the corners of the image.

Moving the slider to the left darkens the corners of the image. While de- fishing is no substitute for a rectilinear wide-angle lens, it can work in a pinch.

Because global adjustments are the foundation for the local adjustments applied later in the editing workflow, it is critical that they be done early on in post processing. Fundamentally, the Develop Section is not a place where you need to spend a lot of time; but it is a section that you should be thinking about first before you move on to making other adjustments in Capture NX2.

Often times, the Picture Control presets get you where you want to be without further adjustments. The best part about the Develop Section in Capture NX2 is that it effectively takes over the majority of global adjustments to light and color that would otherwise have been made in separate Edit Steps in Capture NX 1.

Because the Develop Section is fairly easy to access, it offers a quick solution for getting your images prepared for further processing assuming they even need it. In the Adjust Section, you can apply many different kinds of effects to your image. Moreover, applying an Edit Step locally does not require complex masking routines, which makes using them easy.

Edit Steps are not adjustment tools in the traditional sense. Instead, they operate as containers that hold adjustments that you place in them. Edit Steps are saved to your NEF as instruction sets, and can be deleted from the Edit List at any time, making them a non-destructive form of editing.

The simple answer is that the only pre-defined editing palettes in Capture NX2 are the tools in the Develop Section. For those of you who are familiar with Adobe Photoshop, Edit Steps are conceptually similar to adjustment layers-- the steps themselves are just placeholders until you define what adjustment you want to put into them.

Notice the yellow border around the Edit Step-- this indicates that it is actively selected. Any adjustment placed in an Edit Step can have opacity and blending effects applied to it. The yellow box around the Edit Step should disappear. Right: Closing the Edit Step and deselecting it shows that it is no longer highlighted in the list. Note: The Develop Section also utilizes the Reset icon.

A useful feature to keep in mind when you are applying effects in Edit Steps is the Opacity and Blending settings. The blending modes change the way the effect appears in the image: Normal: Effect is applied to all channels at full- strength. This is the default blending mode. Lighten: Applies the effect to areas of the image where the result is brighter than the original image Screen: increases the pixel values of the resulting Us the Blending Mode menu to choose one of six blending modes.

Tonal values above neutral are lightened, tonal values below are darkened. Tonal values of exactly are left alone. Multiply: subtracts the tonal value of the effect to create a darkened final image Darken: the effect is only applied in areas where the With RGB mode, you can selectively apply the effects to any result darkens the image.

Other opacity options You can choose to apply the Opacity effect in all channels default , or in individual color channels RGB , or you can apply the effect in the luminosity brightness and chrominance color channels.

All told, the opacity and blending modes offer a significant amount of flexibility for applying effects in Edit Steps. However, there are a few instances where you might want to take advantage of some of the other tools for adjusting global brightness, contrast, and color balance.

Again, it all depends on the feeling you are trying to convey with your image. Central to getting image contrast set correctly is the concept of defining the black and white points in your image.

The image will turn gray. The double threshold tool allows you to see anywhere in your image that has a tonal value of 0 black or white. Everything in between those values is rendered gray. Black threshold slider White threshold slider White areas are the lightest points in your image.

Black areas are the darkest points in your image. An easy way of setting the black point on your image is to use a Black Control Point. The Black Control Point allows you to set the darkest pixel value in your image, but it also gives you control over luminosity brightness. The Black Control Point will also remove color casts from shadow areas. This is especially useful for portraits. The Black Control Point will be visible in the image. White Control Points not only establish the lightest point in your image, but they also remove unwanted color casts.

What about the Neutral Control Point? It can be useful in JPEGs if you have a neutral gray object in the frame. That means that color shifts can occur Midtone slider when using this tool, making it useful for White threshold slider correcting color casts.

The histogram will show only the data from the selected color channel. An anchor point will be placed on the curve. The Anchor Point Tool lets you click on your image to place a point on the curve that corresponds to the selected tonal value.

You can also use this technique with the LCH editor if you want to only affect luminosity brightness data and protect the color data. Notice how the curves changed for each of the three color channels. Left: Contrast and color balance were adjusted with Auto Contrast. Right: Contrast was adjusted but color balance was left unchanged.

Fortunately, you can use the Auto Levels tool to apply automatic levels and color balance correction to each image in a batch job. Slide the sliders to the left to reduce the effect; slide the slider to the right to increase the effect.

Top: Default settings. Bottom: Custom settings. Use it to control luminance and color. Simply put, this adjustment tool allows you to control Brightness and Contrast lightness , Saturation chroma , and Hue-- all in one step. A unique aspect of the LCH editor is that it separates out luminance brightness information from chrominance color information.

All the same icons are there-- including the Levels sliders reset icons and the Auto Contrast icon. The LCH window changes from the image histogram to something more akin to a color spectrum.

Want to darken a blue sky? Click the line where the blues are and drag the point downward. Want lighter reds? Click the line in the red part of the spectrum to add an anchor point and drag it upward. The resulting curve shows you which colors are affected by your adjustment. In the example above, yellows and your image and modify light greens are made lighter by dragging an anchor point upward on the curve.

I probably use this option the most to make saturation adjustments to Anchor Point Tool specific color ranges. In fact, you use this Master chroma editor in exactly the adjustment same way as the color lightness editor, but now you also have the option to increase or decrease saturation of any point on the entire color spectrum.

In this example, 4 Use Anchor Point greens are boosted and blues are desaturated. The LCH editor can help solve this problem by protecting skin tones from becoming oversaturated. Anchor Point tool But, if you want to make selective adjustments to the hue in your image, this is the place to do it.

As with the Master Hue adjustment chroma editor, you can make overall hue changes or limit Hue Map them to certain colors. Rotation tool Moving the curve maps a color from the baseline value to the new point on the spectrum.

Essentially obsolete with the advent of Highlight and Shadow Protection Sliders in Quick Fix, but can be applied in an Edit Step if desired, or if local application is needed. Color Balance Basic controls for adjusting brightness, contrast, and color in an Edit Step.

Most often used during soft-proofing to make global changes to color balance. Color Booster Allows you to increase saturation globally in a way that is not overpowering. For example, how many times have you struggled to make an adjustment because correcting one part of your image ended up making other parts of your image look worse?

Local adjustments are effects applied to certain parts of your image while leaving other parts alone. Both methods are valuable and have their own specific strengths and weaknesses. By creating selections in Edit Steps, it means you can transform every effect in Capture NX2 from a global one to a local one. The ramifications of this transformation are huge.

Need to brighten a face? Use a local adjustment. Capture NX2 selection tools make it possible to create special effects or simply make improvements to your image that you might otherwise have to do in another application. By staying in Capture NX2, you can, in many cases, keep your image in the NEF format from camera to print and save time otherwise spent switching between editing applications. Note the opacity slider underneath the toolbar.

You should see the entire image turn green. Using the fill tool selects the entire image; the green color is the mask view 5 Select the Remove Tool showing the selected area. The green fill is removed.

The Marquee and Lasso tools in Capture NX2 work a little differently than those you might be familiar with. These tools alone do not define a selection, per se. Use the lasso to make free-form selections; the various Marquee tools are used to create defined shapes. Creating a Selection with the Lasso or Marquee. The selected area will be filled in green, showing that it is now an actively selected area.

The fill is applied outside your selected area. The green mask is removed from the area defined by the lasso. You can modify lasso selections by holding down the shift key add or option while using the lasso tool. This represents the area affected by the selection. When you choose an adjustment to place in the Edit Step, the mask view will disappear. There are three ways to view Edit Steps that have selections applied to them: Hide Selection: Selection mask is not shown, showing you the image as it would appear normally with the effect applied.

Tip: You can toggle the different views by right-clicking the mouse in the image Clockwise from top right: Hide Selection view, Show Overlay, Show Mask. Edit window and choosing the view you want to use. Selection created with the lasso tool only. Selection created with the lasso tool bright green and Base Mask applied. One of the most straightforward selection tools is the Selection Brush.

Use these options to set the brush size, softness, and opacity. The effect of Brush Hardness is illustrated in this selection view. Tip: Keyboard Shortcuts There are numerous keyboard shortcuts in Capture NX2, but the Selection Brush tool is a good example of where they come in handy.

The gradient tools define selections on their own. New in Capture NX2 is a radial circular gradient tool to go along with the linear gradient tool. The gradient tool helps blend your effect so that it appears natural. Slide the transition point to define the length of the transition zone. The Show Mask view inset shows the selected area in white.

Note that the effect is not applied in a hard circle! Left: Image showing the effect of a minus Selection Control Point. For example, you might want to apply a selection to a large expanse of sky.

To match settings between Selection Control Points, use the Duplicate command. With a two-button mouse, you can use the contextual menu by right-clicking on the Control Point. Drag the new Control Point to where you want to place it in the image right. Show Mask view shows the effect of the two Selection Control Points; the selected area is in white. This is how the tools interact with each other. The Base Mask cannot be applied until a selection tool is added to the Edit Step.

Base Mask has Selection Control Point added. Base Mask added-- overridden by Selection Control Point. You can link multiple adjustments into a single Edit Step. This technique is very handy with local adjustments if you want to apply more than one effect to the same selection area. A common trick in the field to even out high-contrast scenes was to use a graduated neutral-density filter. The overlay view will disappear. In this image, the sky and mountains can be darkened.

After you created the Dodge and Burn tools on the previous page, you might want to use the same effect on other images. Rather than manually adjusting the Edit Steps each time, it is a tremendous time saver to create a Settings File of your Edit Step s and apply it using the Batch tool. This is the only step you want to save. When you are finished, the new setting will be stored in the batch settings list under the Batch icon.

Make sure that only item checked in the Save Adjustments dialog is the setting you want to save. The Control Point approach to making selections is fast and intuitive. Creating a selection that would normally require several minutes or more of mask work in Photoshop can be done with a single mouse click in Capture NX2 using a Control Point. Color Control Points and Selection Control Points both use the same technology, and so both create selections in the same way.

The difference between these two tools is that while Selection Control Points simply define a selection in an Edit Step, Color Control Points have a suite of tools built into them for adjusting local color, brightness, and contrast.

A simple rule is that if you are making adjustments to light and color that require a complex selection, Color Control Points should be your first choice. One last thing about Control Points: not every image needs them, and those that do often only need a small number of Control Points.

It can be very tempting to start adding Control Points in all your images. Remember, sometimes less is more.

Each slider controls a different adjustment parameter. The most commonly used controls are the Brightness, Contrast, and Saturation sliders, which are visible by default. Selected areas are shown in white. The main slider attached to a Control Point adjusts the size of the effect. The size slider determines the relative distance from the control point that the effect is spread over.

Capture NX 2 easy-to-use software lets you make intuitive photo enhancements which are immediately visible on your monitor. Simply place the Control Point on the area that you want to edit and U Point Technology will analyze color elements such as hue, saturation and brightness, as well as recognize similar areas where an edit would best be applied. Enhancements for hue, brightness and saturation are as simple as placing a Color Control Point on your image, then adjusting the length of the sliders.

For example, Color Control Points are remarkably convenient for changing the color of flowers to better effect against green surrounding foliage. This new function enables you to apply enhancements such as Unsharp Mask or D-Lighting to a specific area with just a click of the mouse.

There is no need for precision selection or masks - the Selection Control Point recognizes the areas you want to modify. For example, Color Control Points are remarkably convenient for changing the color of flowers for better effect against green surrounding foliage. Take a dull gray sky and add blue to change the mood of a captured scene. Selection Control Points: Now you can selectively edit photographs without the need to manually outline or mask the area for editing.

Auto-Retouch Brush: Capture NX 2 adds an automatic retouch tool to its image editing toolbox allowing users to seamlessly remove blemishes, dust and other distracting elements from photographs while maintaining the integrity of the image. Designed to closely match the way photographers work with their images, Capture NX 2 is easy to learn and creates the highest quality results.

Features continuing from Capture NX version 1. Products and brand names are trademarks or registered trademarks of their respective companies. Hard-disk space: 50 MB required for installation; MB free space recommended. For a full list of the technical specifications please refer to the product manual. Something went wrong. This Agreement constitutes the complete and exclusive agreement, oral or written, between you and Nikon. The Manual are for customers who have purchased our products. We may be unable to respond to inquiries from individuals who have not purchased our products.

Please note that the manual and the contact information therein are subject to change without notice. The Manual is protected by Japanese copyright law and international copyright laws and treaties. You must reproduce on each copy the Nikon copyright notice and any other proprietary legends that were on the original. Except as otherwise stated in this Agreement, you may not make or distribute copies of the Manual to others or electronically transfer the Manual from one computer to another over a network.

Nikon capture nx2 instrukcja pl free.Free download of ViewNX 2 available today

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If you disconnect a shared port from your PC, applications will be notified instantly. How to share a serial port By default, Shared Serial Ports allows an unlimited number of concurrent applications using a particular physical port.

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This book is intended to help those new to the world of Apache Sharding, and anyone looking for an overview of the Sharding concepts. The free trial version includes a limited number of search results, and it also allows you to analyze various phrases, but for the full functionality, you need to download and use the paid version.

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After analyzing the incoming data, you can display it upon request of each application connected to the shared port. If you disconnect a shared port from your PC, applications will be notified instantly.

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Alliesthesia in human perception. Swf Magician is a small software application developed specifically for helping you convert SWF files to EXE file format so you can quickly send them to your friends. The tool is compatible with Windows XP and Vista.

EXE files have the advantage of being easily distributed on all operating systems because you do not need a third-party program in order to open them.

Clean looks It takes a simple and fast installation process in order to gain access to the graphical user interface.

It uses the Defining Data Services project templates to help you create and manage a Silverlight application with data using the Entity Framework. Maria Rodriguez. Latest Articles. The blog is a missive for anyone who fancies talking writing, how to fiddle about with your browser settings, or is on some kind of journey with horses.

You can also export your saved quotes and quote lists to and from CSV for spreadsheet based projects or Gmail for sending to people. Liked it? Starred it, something to add? It is a handy tool that performs well-enough and presents its options in an intuitive manner. If you have a question about any Atari CyberPaint Sequence animation conversion process, please submit them by contacting us. MixVibes Cross is a professional software application designed specifically for DJs in order to help them mix tracks.

It comes with support for a powerful pack of features that allows iTunes integration, multiple tag editing options, media preview, manual and auto loops, and BPM analysis. User interface The GUI looks clean and provides a well-organized set of features. Great editor. Only downside is that it is missing the ability to simultaneously edit files in any NTFS format. This gradient is all about their human appeal yet it is more ideal to use them in games as they have a human-like appearance and enhancing visual contrast.

This quality, in turn, helps in the uptake of these icons. Carter is a winner.