Возможно, - сказал Стратмор, потом нацарапал несколько слов на бумажке и протянул ее Сьюзан.  - Взгляни-ка на. Прочитав написанное, Сьюзан поняла ход мысли коммандера. На бумажке был электронный адрес Северной Дакоты. NDAKOTAARA.

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The car handling is suitably exaggerated, but feels twitchy and hardly ideal for control via a keyboard. You're always fighting to keep control of your car, so if you manage to survive a stage, it feels more like luck than skill.

The vehicle physics are reasonable, with a full damage model present, but they don't make that game's driving sections satisfying or really that enjoyable. It's when Tanner steps out of the car that Driv3r reveals its more apparent weaknesses though, transporting you back a generation or two in gaming in the process. The guy walks around like he's got a barge pole shoved down his back, while only the most basic of animations are at his disposal. When it comes to shooting, the crosshair feels too near and aiming is an equally inexact art.

To top this off, the game's controls are simply laughable. For instance, the default setup has the '5' key on the number-pad as 'shoot', while the mouse buttons are completely unmapped. Actions which could seemingly be combined under one button are stretched out over the keyboard, making the control of Tanner just as awkward as his own movements. Usually PC versions of games look better than their console counterparts, but Driv3r again bucks the trend and actually takes a step backwards. The visuals are average at best, lacking any sort of polish or finesse.

On lower resolutions the game looks ridiculously bad, while higher up the lack of decent textures becomes quite apparent.

Just about every setting shows up its aesthetic shortcomings, with pop-up, suspect frame rates and flickering. Computers which handle other similarly demanding games smoothly will struggle to make Driv3r look any better than the console original. On the audio front, the voice acting talent never feels fully exploited, while sound effects aren't exactly sophisticated themselves. The musical score is perhaps the only highlight of the entirety of Driv3r's presentation, but that isn't exactly anything to boast about.

It's Driv3r's A. So you're driving along the coast for a second time in a matter of minutes, as your previous attempt was abruptly stopped by a bench which seemingly merged into your car and halted its progress. The police are after you and your vehicle is wrecked, so you drive off of a pier into the water below. On lower resolutions the game looks ridiculously bad, while higher up the lack of decent textures becomes quite apparent.

Just about every setting shows up its aesthetic shortcomings, with pop-up, suspect frame rates and flickering. Computers which handle other similarly demanding games smoothly will struggle to make Driv3r look any better than the console original. On the audio front, the voice acting talent never feels fully exploited, while sound effects aren't exactly sophisticated themselves.

The musical score is perhaps the only highlight of the entirety of Driv3r's presentation, but that isn't exactly anything to boast about. It's Driv3r's A. So you're driving along the coast for a second time in a matter of minutes, as your previous attempt was abruptly stopped by a bench which seemingly merged into your car and halted its progress.

The police are after you and your vehicle is wrecked, so you drive off of a pier into the water below. Making it to the surface, you observe a somewhat amusing scene; the police who were on your tail are now also driving straight into the sea, as if attracted by a giant magnet in your pocket.

Swimming back to shore, you clamber up and survey the situation. With a cold heart, you unholster your weapon and shoot a defenseless police officer, who promptly levitates a meter above the water before carrying out a death animation. As the corpse lies in mid-air, you think back, "You know, I was able to do exactly the same thing in the console version". Many of the most horrific bugs aren't just one-off lapses in the game-world; they occur wherever you are.

The same can be said for the artificial 'intelligence' of your enemies. Gunmen will see you duck behind a crate, but then stop shooting and won't think to move so that they can see you. You begin to wonder if the A. Shoot if you see him. Otherwise do nothing. Apart from the main story there are a few other modes, but at the end of the day, what's the point?

The agents focus on the investigation surrounds the cartel's recent acquisition of stolen cars, leading to suspicions they are working for someone else to fulfill a major order.

To determine where the deal for the cars will take place, Tanner poses as a wheelman and infiltrates the cartel by recovering a car they lost to a rival gang. After impressing Calita and earning her trust with a series of tasks, Tanner finds himself assigned to retaliate against crime lord "The Gator", after he betrays Calita on a deal and makes subsequent attempts in revenge, eventually being ordered to assassinate him.

South Beach relocate to Nice, France, after Gator's presumed demise, to secure the remaining cars for their order. Tanner makes contact with Interpol agents Henri Vauban and Didier Dubois, who insist on arresting the cartel while in possession of the stolen cars.

Tanner refuses to agree to this, leading to Vauban ordering Dubois to conduct surveillance on the cartel. Meanwhile, Tanner focuses on acquiring the cars Calita needs while fending off attacks by a rival syndicate, resulting in a confrontation that leads Tanner to protecting Calita and eliminating the gang's leader. Upon discovering that Dubois was captured by the cartel during his own investigation, Tanner angrily berates Vauban for going behind his back, and finds himself forced to rescue him before he is executed.

Needing to learn where the deal for the stolen cars is being held, Tanner and Dubois break into a boathouse being used by the cartel, and find that the sale is to happen in Istanbul, Turkey. Moments upon learning of this, the men are captured by the cartel, and are introduced to their employer, Charles Jericho - former bodyguard of Solomon Caine, before murdering his boss and taking over his organization.

Revealing Tanner's identity, Jericho proceeds to use his gun to murder Dubois, intending to frame him for the crime.

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