Adobe Photoshop is a raster graphics editor developed and published by Adobe Inc. It was originally created in by Thomas and John Knoll. Since then, the software has become the industry standard not only in raster graphics editing, but in digital art as a whole.
The software's name is often colloquially used as a verb e. In addition to raster graphics, Photoshop has limited abilities to edit or render text and vector graphics especially through clipping path for the latter , as well as 3D graphics and video. Its feature set can be expanded by plug-ins ; programs developed and distributed independently of Photoshop that run inside it and offer new or enhanced features.
Photoshop's naming scheme was initially based on version numbers. However, in October following the introduction of Creative Suite branding , each new version of Photoshop was designated with " CS " plus a number; e. With the introduction of the Creative Cloud branding in June and in turn, the change of the " CS " suffix to " CC " , Photoshop's licensing scheme was changed to that of software as a service subscription model. As of November , Adobe has also released a full version of Photoshop for the iPad , and while initially limited, Adobe plans to bring more features to Photoshop for iPad.
Photoshop was developed in by two brothers Thomas and John Knoll , who sold the distribution license to Adobe Systems Incorporated in Thomas Knoll, a Ph. Thomas took a six-month break from his studies in to collaborate with his brother on the program. Thomas renamed the program ImagePro, but the name was already taken. During this time, John traveled to Silicon Valley and gave a demonstration of the program to engineers at Apple and Russell Brown, art director at Adobe.
Both showings were successful, and Adobe decided to purchase the license to distribute in September Photoshop 1. The handling of color slowly improved with each release from Adobe and Photoshop quickly became the industry standard in digital color editing.
At the time Photoshop 1. The list price of Photoshop 1. Photoshop was initially only available on Macintosh. The Windows port led to Photoshop reaching a wider mass market audience as Microsoft 's global reach expanded within the next few years.
Photoshop files have default file extension as. PSD , which stands for " P hoto s hop D ocument". This is in contrast to many other file formats e. JPG or. GIF that restrict content to provide streamlined, predictable functionality.
A PSD file has a maximum height and width of 30, pixels, and a length limit of two gigabytes. These formats are required to use the file in publications or on the web. Photoshop can also create and use files with the extension. PSB, which stands for "Photoshop Big" also known as "large document format". The dimension limit was apparently chosen arbitrarily by Adobe, not based on computer arithmetic constraints it is not close to a power of two, as is 30, but for ease of software testing.
Photoshop functionality can be extended by add-on programs called Photoshop plugins or plug-ins. Adobe creates some plugins, such as Adobe Camera Raw, but third-party companies develop most plugins, according to Adobe's specifications.
Some are free and some are commercial software. Most plugins work with only Photoshop or Photoshop-compatible hosts, but a few can also be run as standalone applications. There are various types of plugins, such as filter, export, import, selection, color correction, and automation.
The most popular plugins are the filter plugins also known as a 8bf plugins , available under the Filter menu in Photoshop. Filter plugins can either modify the current image or create content. Below are some popular types of plugins, and some well-known companies associated with them:.
Adobe Camera Raw also known as ACR and Camera Raw is a special plugin, supplied free by Adobe, used primarily to read and process raw image files so that the resulting images can be processed by Photoshop. Upon loading Photoshop, a sidebar with a variety of tools with multiple image-editing functions appears to the left of the screen. These tools typically fall under the categories of drawing ; painting ; measuring and navigation ; selection ; typing ; and retouching.
These can be expanded to reveal similar tools. In some newer versions hovering along the tools gives a small Video glimpse of the tool. Photoshop includes a few versions of the pen tool. The pen tool creates precise paths that can be manipulated using anchor points. The free form pen tool allows the user to draw paths freehand, and with the magnetic pen tool, the drawn path attaches closely to outlines of objects in an image, which is useful for isolating them from a background.
The Clone Stamp tool duplicates one part of an image to another part of the same image by way of a brush. The duplication is either in full or in part depending on the mode. The user can also clone part of one layer to another layer. The Clone Stamp tool is useful for duplicating objects or removing a defect in an image. Photoshop provides an array of shape tools including rectangles, rounded rectangles, ellipses, polygons and lines. These shapes can be manipulated by the pen tool, direct selection tool etc.
In addition, Photoshop provides its own shapes like animals, signs and plants. The eyedropper tool selects a color from an area of the image that is clicked, and samples it for future use. Selection tools are used to select all or any part of a picture to perform cut, copy, edit, or retouching operations.
The crop tool can be used to select a particular area of an image and discard the portions outside the chosen section. This tool assists in creating a focus point on an image and unnecessary or excess space. The crop tool is in the tools palette, which is located on the right side of the document. By placing the cursor over the image, the user can drag the cursor to the desired area. Once the Enter key is pressed, the area outside the rectangle will be cropped.
The area outside the rectangle is the discarded data, which allows for the file size to be decreased. The slice and slice select tools, like the crop tool, are used in isolating parts of images.
The slice tool can be used to divide an image into different sections, and these separate parts can be used as pieces of a web page design once HTML and CSS are applied. The move tool can be used to drag the entirety of a single layer or more if they are selected. Alternatively, once an area of an image is highlighted, the move tool can be used to manually relocate the selected piece to anywhere on the canvas.
The marquee is a tool that can make selections that are a single row, single column, rectangular and elliptical. This tool can also crop an image; it allows for better control.
In contrast to the crop tool, the marquee tool allows for more adjustments to the selected area before cropping. The only marquee tool that does not allow cropping is the elliptical.
Although the single row and column marquee tools allow for cropping, they are not ideal, because they only crop a line. The rectangular marquee tool is the preferred option. Once the tool has been selected, dragging the tool across the desired area will select it. The selected area will be outlined by dotted lines, referred to as "marching ants". To set a specific size or ratio, the tool options bar provides these settings.
Before selecting an area, the desired size or ratio must be set by adjusting the width and height. Any changes such as color, filters, location, etc. To crop the selection, the user must go to the image tab and select crop. The lasso tool is similar to the marquee tool, however, the user can make a custom selection by drawing it freehand. The regular lasso tool allows the user to have drawing capabilities.
Photoshop will complete the selection once the mouse button is released. The user may also complete the selection by connecting the end point to the starting point. The "marching ants" will indicate if a selection has been made.
The polygonal lasso tool will draw only straight lines, which makes it an ideal choice for images with many straight lines. Unlike the regular lasso tool, the user must continually click around the image to outline the shape. To complete the selection, the user must connect the end point to the starting point just like the regular lasso tool. Magnetic lasso tool are considered the smart tool. It can do the same as the other two, but it can also detect the edges of an image once the user selects a starting point.
It detects by examining the color pixels as the cursor moves over the desired area. Closing the selection is the same as the other two, which should also should display the "marching ants" once the selection has been closed.
The quick selection tool selects areas based on edges, similarly to the magnetic lasso tool. The difference between this tool and the lasso tool is that there is no starting and ending point. For this reason, the selected area can be added onto as much as possible without starting over.
By dragging the cursor over the desired area, the quick selection tool detects the edges of the image. The "marching ants" allow the user to know what is currently being selected.
Once the user is done, the selected area can be edited without affecting the rest of the image. One of the features that makes this tool especially user friendly is that the SHIFT key is not needed to add more to the selection; by default, extra mouse clicks will be added to the selection rather than creating a new selection.
The magic wand tool selects areas based on pixels of similar values.
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Adobe after effects cc render settings free
Learn what's new in After Effects! Important Reminder: Flash Player's end afteg life is December 31st, You can download your app from the Creative Cloud adobe after effects cc render settings free. If prompted, sign in to your Adobe account, then click either Download or Install for your app.
For more information, see Download your Creative Cloud apps. For solutions to a "failed to install" error, see Error: "Failed to install" Creative Cloud desktop app. To resolve other download, installation, and update issues, see this download and install troubleshooting adobe after effects cc render settings free.
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You won't have access to apps or most services and your cloud storage will be reduced to 2 GB. Learn how to Cancel your Creative Cloud membership and understand the Adobe subscription terms. Find more account, billing, and adobe after effects cc render settings free answers. For step-by-step adobe after effects cc render settings free, see Stabilize shaky video footage. Realistic motion is more than simply adobe after effects cc render settings free an object.
In effscts short video series, learn how to add special effects to blur motion, correct fres and shadows, and simulate camera movement. Adobe Character Animator, captures facial expressions and movement from your webcam, and animates a adobe after effects cc render settings free based on your performance.
See the Character Animator User Guide to learn more. Learn the basics of animating text in After Effects in this three-part video tutorial, Animate a logo for video. Settingd mask an object so that other footage can appear within it. See this article to learn more about creating shapes and masks. When you render and export a movie, the default settings create uncompressed or losslessly compressed files.
Such files are huge and intended for post-production work, not playback. For smooth playback on your computer, compress the file. Learn more about encoding and compression options for movies. QuickTime includes a preference for encoding legacy efrects. If the setting is not enabled, some codecs will not be available in After Effects. For more information, see Publish to YouTube and Vimeo. Use Adobe Media Encoder to export to these formats.
For more information, see Create H. Use Adobe Media Encoder to export to H. For information on known issues in the latest version of After Effects, see Known issues. Problems with QuickTime can sehtings many sources. Find solutions in Troubleshooting QuickTime errors. You installed a language version of After Effects that does not match the operating system language.
Find answers in this article, Error "Could not convert Unicode characters". You can continue to render your Motion Graphics templates even after your trial version expires. When you run After Effects, you could receive messages like, zettings to allocate 0. Buy now. Get Started Download, find membership help, and learn the basics. Tutorials Find tutorials from novice to expert to help you expand your skills.
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Adobe after effects cc render settings free
To watch a real-time playback of a composition, After Effects is going to need help from a pre-render. Doing this takes the stress off your computer which otherwise would have to start rendering effects in real-time when you hit play.
The render queue is where you edit the settings for your video and then render it to a single final video file. Think of this window as a waiting room for your compositions. The render queue lets you set up multiple compositions to be rendered with just one click.
Just click the dropdown arrow to the right of Render Settings and a small menu will pop up. When it does, just click Best Settings. Most of your changes will be made in the next two sub-menus: Output Module and Output To. In Output Module , you get to choose the format, codec, color depth, channels, and audio output settings. If a composition is covered corner to corner with graphics, go with the RGB. In the Output To sub-menu, you simply choose where your single video file will be exported to on your Mac or PC.
The render queue is intimidating at first because of how many big windows pop up when you click these small blue words. Most of the time I export a project, I use the same settings. This is because the animation codec and QuickTime format work perfectly for almost every project.
Wrap your head around this easy-to-follow guide to rendering and exporting your After Effects projects. Can you export it instead? Go through the output module and change the settings you need to for your specific project. Navigate to Output To and choose the folder or hard drive where you want to save your video. Hey, we heard you love After Effects content. How much of the composition to render. To render the entire composition, choose Length Of Comp.
To render only the part of the composition indicated by the work area markers, choose Work Area Only. To render a custom time span, choose Custom. See Work area. The sampling frame rate to use when rendering the movie. The actual frame rate of the composition is unchanged. The frame rate of the final encoded movie is determined by the output module settings.
See Frame rate. Skip Existing Files. Lets you rerender part of a sequence of files without wasting time on previously rendered frames. When rendering a sequence of files, After Effects locates files that are part of the current sequence, identifies the missing frames, and then renders only those frames, inserting them where they belong in the sequence. You can also use this option to render an image sequence on multiple computers. See Render a still-image sequence with multiple computers.
The current image sequence must have the same name as the existing image sequence, and the starting frame number, frame rate, and time span must be the same. You must render to the folder that contains the previously rendered frames. Output module settings apply to each render item and determine how the rendered movie is processed for final output. Use output module settings to specify file format, output color profile, compression options, and other encoding options for final output.
You can also use output module settings to crop, stretch, or shrink a rendered movie; doing this after rendering is often useful when you are generating multiple kinds of output from a single composition. Output module settings are applied to the rendered output that is generated according to the render settings.
For some formats, an additional dialog box opens when you choose the format in the Output Module Settings dialog box. You can modify these settings and use settings presets to specify format-specific options, such as compression options. You can apply multiple output modules to each render item, which is useful when you want to make more than one version of a movie from one render. For example, you can automate the creation of a movie and its alpha matte, or you can create high-resolution and low-resolution versions of a movie.
Before rendering, check the Audio Output settings in the Output Module Settings dialog box to ensure that they are correct. To render audio, Audio Output must be selected. If your composition does not include audio, do not select Audio Output, so that the size of the rendered file does not increase needlessly. You can set the output module of multiple render queue items at the same time.
Select the render queue items, and then choose an output module template from the Output Module Settings menu for one of the items. You can drag an output module to the Project panel to import the finished movie or a placeholder into the project for use as a footage item.
Andrew Kramer provides a video tutorial with tips for working with proxies, output modules, and output module templates on the Video Copilot website. You can choose a custom output module settings template or one of the preset output module settings templates. Several templates are provided, including the Lossless template for creating movies for transfer to video, film, or an NLE system. The default output module settings template is assigned to a render item when it is created.
To change which output module template is the default, hold down Ctrl Windows or Command Mac OS as you choose an output module template from the menu. To change output module settings for multiple output modules at once, select the output modules and then choose an output module template.
The template is applied to all selected output modules. You perform the following tasks in the Output Module Templates dialog box. For information on using controls in the Color Management area of the Output Module Settings dialog box, see Assign an output color profile.
Include Project Link. Specifies whether to include information in the output file that links to the source After Effects project. When you open the output file in another application, such as Adobe Premiere Pro, you can use the Edit Original command to edit the source project in After Effects. Specifies whether to include XMP metadata in the output file from the files used as sources for the rendered composition.
XMP metadata can travel all the way through After Effects from source files, to footage items, to compositions, to rendered and exported files. Post-Render Action. Specifies an action for After Effects to perform after the composition is rendered. See Post-render actions. Format Options. The output channels contained in the output movie. Not all codecs support alpha channels.
Therefore, you do not have to specify an alpha interpretation each time you import an item created in After Effects. Specifies the color depth of the output movie. Certain formats may limit depth and color settings. Specifies how colors are created with the alpha channel.
Choose from either Premultiplied Matted or Straight Unmatted. See Alpha channel interpretation: premultiplied or straight. Specifies the number for the starting frame of a sequence. The Use Comp Frame Number option adds the starting frame number in the work area to the starting frame of the sequence. Specifies the size of your output movie.
Select Lock Aspect Ratio To if you want to retain the existing frame aspect ratio when resizing the frame. See Scaling a movie down and Scaling a movie up. Used to subtract or add rows or columns of pixels to the edges of the output movie. You can specify the number of rows or columns of pixels to be added or subtracted from the top, left, bottom, and right sides of the movie.
Use positive values to crop, and use negative values to add rows or columns of pixels. Select Region Of Interest to export only the region of interest selected in the Composition or Layer panel. See Region of interest ROI. By adding one row of pixels to the top and subtracting one row from the bottom of a movie, you can change the field order.
Audio Output. Specifies the sample rate, sample depth 8 Bits or 16 Bits , and playback format Mono or Stereo. Choose a sample rate that corresponds to the capability of the output format.
Choose an 8-bit sample depth for playback on the computer, and a bit sample depth for CD and digital audio playback or for hardware that supports bit playback. The specifications for some formats impose limits on audio parameters. In such cases, audio options may be unavailable for modification in the Output Module Settings dialog box. Also, audio options for some formats are set in the export settings dialog box for that format. Click the warning icon to see a detailed message that describes how the output file will be modified to meet the format constraints.
You can go back and change composition settings, render settings, and output module settings if you don't want After Effects to make the changes automatically in the output module. For more information about output module constraints and the warnings for mismatches in frame rate, dimensions, and pixel aspect ratio, see the Adobe website.
Compression is essential for reducing the size of movies so that they can be stored, transmitted, and played back effectively. Compression is achieved by an encoder; decompression is achieved by a decoder. Encoders and decoders are known by the common term codec. No single codec or set of settings is best for all situations. For example, the best codec for compressing cartoon animation is generally not efficient for compressing live-action video.
Similarly, the best codec for playback over a slow network connection is generally not the best codec for an intermediate stage in a production workflow. For information on planning your work with final output in mind, see Planning your work.
After Effects uses an embedded version of the Adobe Media Encoder to encode most movie formats through the Render Queue panel. For most output formats, you can specify format-specific encoding and compression options. In many cases, a dialog box opens and presents these options when you choose a format to export to or click the Format Options button in the Output Module settings dialog box.
See Output modules and output module settings. Key Frame Every. In QuickTime terminology, the term key frames refers to something different from the change-over-time keyframes placed in the After Effects Timeline panel.
In QuickTime, key frames are frames that occur at regular intervals in the movie. During compression, they are stored as complete frames. Each intermediate frame that separates them is compared to the previous frame, and only changed data is stored. Using key frames greatly reduces movie size and greatly increases the memory required to edit and render a movie.
Shorter intervals between key frames enable faster seeking and reverse playback, but can significantly increase the size of the file. Frame Reordering. Note : For more information on QuickTime, see the Apple website. You can use post-render actions to automate simple tasks that occur after a composition is rendered. Imports the rendered file into the project and substitutes it for the specified item.
Drag the pick whip to the item to replace in the Project panel to specify it. For example, you can set one render item to use a watch folder and multiple computers to create a still-image sequence, and then the next render item can render a single movie file from that still-image sequence.
See Network rendering with watch folders and render engines. Sets the rendered file as a proxy for the specified item. Drag the pick whip to the item in the Project panel item to specify it. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Rendering and exporting overview. What is rendering?
Note : See Project settings for more information about project settings that determine how time is displayed in the project, how color data is treated in the project, and what sampling rate to use for audio.
See Composition settings to learn how you can specify composition settings such as resolution, frame size, and pixel aspect ratio for your final rendered output. You might need a movie file for the following reasons:. You need a compressed movie that will be played on the web, or used for DVD or Blu-ray disc.
Render and export with the Render Queue panel. Manage render items. Render settings determine the following characteristics: Output frame rate Duration Resolution Layer quality Output module settings—which are applied after render settings—determine post-rendering characteristics such as the following: Output format Compression options Cropping Whether to embed a link to the project in the output file You can create templates that contain commonly used render settings and output module settings.
Using the Render Queue panel, you can render the same composition to different formats or with different settings, all with one click of the Render button, for example: You can output to a sequence of still images, such as a Cineon sequence, which you can then transfer to film for cinema projection.
Render and export a movie using the render queue. Select the composition from which to make a movie in the Project panel, and then do one of the following to add the composition to the render queue:.
OR Drag the composition to the Render Queue panel. Choose a Log type from the Log menu. Click the Render button in the upper-right corner of the Render Queue panel. Render queue panel options. Render Queue panel with render information. The Render Queue displays the following information: Info button - It displays information such as concurrent frames rendering depends on the quality , time taken by current frame, start frame, and the end frame.
The info button. Elapsed - Time already taken while rendering. Remaining - Time remaining for the render to complete. Estimated size - Estimated size of the rendered composition. Free space - Remaining free space on your disk.
Render item statuses. Each render item has a status, which appears in the Status column in the Render Queue panel:. The render item is ready to render. The rendering process was stopped. The rendering process for the item is complete. Manage render items and change render statuses. Remove a render item from the render queue change its status from Queued to Unqueued : Deselect the item entry in the Render column. The item remains in the Render Queue panel. Change the status of a render item from Unqueued to Queued : Select the item in the Render column.
Rearrange items in the Render Queue panel : Drag an item up or down the queue. A heavy black line appears between render items, indicating where the item will be placed. Render with a new filename : Choose Duplicate , click the underlined filename next to Output To , enter a new filename, and click Save. Pause or stop rendering. To pause rendering, click Pause. To resume rendering, click Continue. While rendering is paused, you cannot change settings or use After Effects in any other way.
To stop rendering with the purpose of resuming the same render, click Stop. Information shown for current render operations. Message - A status message. For example, Rendering 1 of 4.
RAM - Memory available for the rendering process. Renders Started - The date and time at which the current batch of renders was started. Total Time Elapsed - The rendering time elapsed not counting pauses since the current batch of renders was started.
Notify when render queue completes - Check this box to let After Effects notify you via Creative Cloud desktop app and mobile app when your render queue job, or the entire queue is finished rendering.
Change the render-complete sounds. Receive remote notifications when render completes. Render complete notification. Check the Automatically enable notifications when you add a composition to the Render Queue box. You can open this dialog box by clicking the bell icon at the bottom left of the Render Queue panel. In the Render Queue panel, check the Notify box.
When the above checkbox is enabled, the Notify box is checked by default. Check the Notify when render queue completes box at the bottom of the render queue panel. Render and export with Adobe Media Encoder. Note : The output module settings, such as format settings or color channel selection, are not transferred to Adobe Media Encoder when you choose the Queue in AME option. Add a composition directly to Adobe Media Encoder. To add a composition to Adobe Media Encoder, do the following:.
Do one of the following:. Add a composition from render queue to Adobe Media Encoder. To add a composition to the Adobe Media Encoder with render settings for draft rendering:.
Choosing formats and output settings. Supported output formats. Unless otherwise noted, all image file formats are exported at 8 bits per channel bpc. Video and animation formats. Video project formats. Still-image formats. Audio-only formats. Collect files in one location. When you use the Collect Files command, After Effects creates a new folder and the following information is saved in the new folder: A new copy of the project Copies of the footage files Proxy files as specified A report describing the files, effects, and fonts necessary to re-create the project and render the compositions.
Collects all footage files, including unused footage and proxies. Collects all footage files and proxies used in any composition in the project.
Copies the project to a new location without collecting any source footage. Select other options, as appropriate:. Selecting this option does not copy the files and proxies. To add your own information to the report that will be generated, click Comments, enter your notes, and click OK. The comments appear at the end of the report. Click Collect. Name the folder and specify a location for your collected files. Specify filenames and locations for rendered output.
Specify the filename and location for a single render item. To manually enter a filename and destination folder, click the underlined text next to the Output To heading. To name a file using a file naming template, click the triangle next to the Output To heading, and choose a template from the menu. Create and use a custom file naming template. To add a preset property to the filename, choose the property from the Add Property menu.
Enter text in the Template box. Make sure that the insertion point is outside the square brackets [ ] of preset properties. Do any of the following:. To always use the selected file-naming template, select Default. To apply the selected file-naming template to the current Output Module, click OK.
Name output files automatically. Support for paths in templates. Render settings. Change render settings. To change render settings for a render item, click the render settings template name next to the Render Settings heading in the Render Queue panel, and choose settings in the Render Settings dialog box.
To apply a render settings template to selected render items, click the triangle next to the Render Settings heading in the Render Queue panel, and choose a template from the menu.
You can choose a custom render settings template or one of the preset render settings templates: Best Settings : Often used for rendering to final output. Draft Settings : Often appropriate for reviewing or testing motion. Create, edit, and manage render settings templates. To make a new render settings template, click New, specify render settings, and click OK.
Enter a name for the new template. To edit an existing render settings template, choose a template from the Settings Name menu, click Edit, and specify render settings. To specify a default render settings template to be used when rendering movies, individual frames, pre-rendered movies, or proxies, choose a template from a menu in the Defaults area of the Render Settings Templates dialog box. To save all currently loaded render settings templates to a file, click Save All.
To load a saved render settings template file, click Load, select the render settings template file, and then click Open. Render settings reference. Disk Cache. Proxy Use. Color Depth. Motion Blur. Time Span. Frame Rate. Output modules and output module settings.
Change output module settings. To change output module settings for a render item, click the underlined output module settings template name next to the Output Module heading in the Render Queue panel, and choose settings in the Output Module Settings dialog box. To apply an output module settings template to selected render items, click the triangle next to the Output Module heading in the Render Queue panel, and choose a template from the menu.
Create, manage, and edit output module templates. To make a new output module settings template, click New, specify output module settings, and click OK. To edit an existing output module settings template, choose a template from the Settings Name menu, click Edit, and specify output module settings. To specify a default output module settings template to be used when processing movies, individual frames, previews, pre-rendered movies, or proxies, choose a template from a menu in the Defaults area of the Output Module Templates dialog box.
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